Conducted an in-depth study of color as a storytelling system in cinema, drawing on 41 sources and 30+ films across more than a century of film history. The project examined how visual design shapes emotion, meaning, and audience memory.

Examined how disinformation spreads through sound, visuals, pacing, and emotional framing on TikTok and Spotify. The project combined media studies, communication theory, and psychology to analyze both manipulation strategies and possible interventions.

Analyzed how fourth wall breaks reshape storytelling and viewer involvement by connecting film theory, spectatorship, and audience psychology. The project traced the concept from theatrical origins to contemporary screen examples.

Created a complete Local Wiki article on the Charles O. Brown House using historical research, archival sources, and fact verification across 20+ materials. The project filled a gap in Tucson’s digital historical record through public-facing scholarship.